The XT-4 camera comes with a wide variety of lenses to choose from. Now, all you need is an equally-powerful Fujifilm X-T4 lens to complement your high-end mirrorless camera to take stunning photos and shoot 4k videos.
Choosing the best X-T4 lens for your photography can be challenging. Whether you’re looking to encapsulate your travel memories with portraits, landscapes, street photography, or shoot close-ups of wildlife from a distance, you need the right lens to get the desired results.
Each lens type serves a unique purpose to suit different photography styles. These lenses include telephoto, wide-angle, specialty, macro, and prime lenses.
In our review, we’ll discuss the main factors to consider when choosing the best Fujifilm X-T4 lenses and share our top picks on the market.
Before we begin our in-depth review, here’s our #1 pick: (More on the Fuji XF further down).
Table of Contents
- What Should You Look For in Fujifilm X-T4 Lenses?
- Here’s How We’ve Determined the Best Fujifilm X-T4 Lenses
- #1: Fujifilm XF 35mm f/2 Lens (Best Value Prime)
- #2: Fujifilm XF 16-55mm f/2.8 Lens (Best Autofocus)
- #3: Fujifilm XF 10-24mm f/4 Lens (Best for Wide-Angle Zoom)
- #4: Fujifilm XF 50-140mm f/2.8 Lens (Best for Telephoto)
- Frequently Asked Question
- Verdict: Your Best Fujifilm X-T4 Lenses
What Should You Look For in Fujifilm X-T4 Lenses?
Before we begin, please note that not everything we share will apply to everyone and every lens since the absence of these important features doesn’t mean that optic isn’t meant for you. For instance, if you’re a casual photographer looking to take high-quality photos of your activities, you don’t necessarily need the most powerful or feature-packed lens on the market.
Therefore, we have featured below important criteria based on our experiences, expert reviews, and research. So here are all the important features you should look for in a Fujifilm XT-4 lens:
Important Feature #1: Focal Length
The first feature to watch out for is the Focal length because it determines whether you are using a telephoto or a wide-angle lens. In simple terms, the focal length is the distance given in millimeters that specifies how far and close the lens will project the subject after the picture is taken.
For instance, telephoto lenses tend to put subjects closer than they actually are (#4 below). This lens property helps in taking portraits shots. Plus, telephoto lenses are easily blurred if they aren’t steady. And this drawback makes them the perfect lens for bokeh images. But you don’t take bokeh shots by shaking the camera; it’s the depth of field that makes a difference. Luckily, telephoto lenses don’t have a strong depth of field; hence it’s easier to blur background with such lenses.
Focal length is the angle of view and how much of the scene the camera will capture. Hence, if you want to capture more scenery, you’ll benefit from a wide-angle lens (#3 below). These lenses are the complete opposites of a telephoto lens. The objects appear closer when shot through a wide-angle lens, but it’s hard to blur the background. As a result, wide-angle lenses aren’t the best for portrait shots.
Important Feature #2: Aperture
Maximum aperture is given on all lenses. It shows how much light a lens can take at its maximum settings. Ideally, more light means better pictures in the dark, less distortion, and blurriness.
Therefore, the lower the aperture, the better because it means more light is captured by the lens. So hypothetically, the best aperture would be “1” or close to “1.” However, most professional photographers are happy with an aperture setting ranging from f/2 to f/3. This is because no one takes pictures in complete darkness.
Zoom lenses have an aperture range, for instance, f/2.8 – f/5.6. This means that the lens would absorb more light at its widest angle (aperture f/2.8). As you zoom in, the aperture will increase all the way up to f/5.6.
Important Feature #3: Color Refraction and Distortion
Color shift is the biggest obstacle for lens manufacturers because it interferes with the image results. To minimize color refraction, manufacturers use a low dispersion glass that condenses the light rays and prevents them from spreading out. As a result, the colors are somewhat balanced. However, not all lenses are efficient in managing color refraction.
Distortion is a default lens error that pertains to even the most expensive optics. Most lens makers take this into account and correct it as much as possible, but there is no 100% way out of distortion. But lens distortion isn’t quantifiable. Therefore, you don’t find it mentioned on the box or in the lens specification.
Here’s How We’ve Determined the Best Fujifilm X-T4 Lenses
Choosing the perfect lens for the XT-4 isn’t easy. After all, you have a number of options, and if you don’t know why you need a new lens, you can’t make an informed decision. Moreover, understanding the fundamentals of each lens takes time before you know if it’s worth buying.
Since we account for different results in different lightings, writing an authentic review takes time. Most buyers don’t have the resources or the time to test out lenses in different settings. Therefore, we took the liberty of creating a list of lenses and then shortening that list to the top 4. Here’s how we narrowed our list of 15 lense to 4.
We took a large selection of lenses and filled two bags on our photography project. But we had to narrow down the list to fit the 4 best XT-4 lenses into our review. Therefore, we used certain criteria to eliminate the lenses that didn’t make the cut.
Here is everything we took into account before narrowing the list.
- Build quality
- Image quality
- Focal length
The lenses listed below fulfilled the above requirements and are all compatible with the X-T4 camera.
#1: Fujifilm XF 35mm f/2 Lens (Best Value Prime)
In October 2015, the Fujifilm 35mm f/2 lens was released, giving Fuji X photographers a shot at affordable lenses. Unlike its older sibling, the 35mm f/1.4, the f/2 is compact and lightweight. We compared this lens with Zeiss Touit 32mm f/1.8 and Fujifilm 35mm f/1.4 lens.
Upon several real-time tests, we found that the f/2 is a much more affordable and better option based on these two main reasons.
Reason #1: Focus
The autofocus of the f/2 is what pushed it above the f/1.4 and Zeiss 32mm f/1.8. The f/1.4 clocks its autofocus at 0.08 seconds. We don’t know the exact autofocus speed of the f/2, but it was faster than the prior mentioned. Plus, the f/2 autofocus was much quieter.
We easily took pictures of pigeons and other birds that would fly off at the slightest noise during our street photography spree. We aren’t saying that this lens makes zero noise, but it’s much quieter than other options within or above the price tag of f/2.
Reason #2: Size and Weight
Apart from the silent and ultra-fast autofocus, the 35mm f/2 is our top choice because of its size and weight. Plus, the lens was less noticeable during street photography than our usual Sony Zeis 55mm. Finally, the 35mm f/2 lens will fit comfortably in your jacket pocket, and we had no issues carrying it around.
#2: Fujifilm XF 16-55mm f/2.8 Lens (Best Autofocus)
Ever since Fuji released its mirror-less X-series cameras, the brand has been introducing a range of lenses that go well with the body and features of the X series. Among the many lenses that fit the XT-4, the 16-55mm f/2.8 lens is our second best pick. Since Fuji lacked a professional grade lens in the 24-70mm equivalent choice, the f/2.8 became the hottest lens among experienced and professional photographers.
Packing a weather-sealed body and 16-55mm aperture, the f/2.8 is a popular choice among architecture and landscape photographers.
We had the pleasure of using this lens, after mounting it on our XT-4 for the entirety of our photography project. We didn’t face any problems during our time with this lens, and its notable features were handling and build quality. Plus, the autofocus was very pleasant, sharp, and accurate. Though it wasn’t the fastest AF on the market, given the price tag of the f/2.8, we can say it was a pleasing experience.
#3: Fujifilm XF 10-24mm f/4 Lens (Best for Wide-Angle Zoom)
This wide-angle zoom is a resourceful lens in your bag because you never know when you’ll come across a gorgeous landscape or stunning mountains on your trip. The Fujifilm 10-24mm f/4 is a versatile lens mounted on several cameras, but when paired with XT-4, it felt like they were meant for each other.
The Fujifilm 10-24mm f/4 lens has a focal length equivalent to 15-36mm and a weather-resistant body. Anyone would love to give this beauty a spin on their XT-4’s camera. Moreover, the lens has a complex structure of 14 elements with 10 in groups and 4 individuals for extra-low dispersion. These features make this lens the best wide-angle zoom lens for the XT-4.
#4: Fujifilm XF 50-140mm f/2.8 Lens (Best for Telephoto)
The 50-140mm f/2.8 lens is perfect with super silent autofocus, excellent low-light image quality, and a robust build. But the only problem is that it’s heavy.
This lens is not for street photography because its build quality is designed to capture the landscape and other sceneries. Made from a full metal design, the weight of this lens is 1kg (2.2 pounds).
We consider this significantly large lens the best telephoto gear for the XT-4 because its picture quality is nearly perfect. With the right settings, you can achieve distortion-free images with perfect balance in every light situation. Now that’s a bold claim! However, we’ve tried it, and it works! So you are getting a masterpiece lens for the price.
We also used this lens for street photography, and the results were more than satisfying. The only problem was mounting the lens on the XT-4 on a busy street, but the rest was very comfortable. The focus ring was smooth, and the lens didn’t wobble on the XT-4.
Frequently Asked Question
Is a higher mm lens better?
The focal length is measured in millimeters, and the higher this number, the more your camera can zoom. High mm lenses tend to be larger in size because the camera compensates for the additional zooming capabilities with size. However, higher zoom means you capture less scenery.
Does the XF 50-140mm lens fit well on the XT-4’s body?
Given the XF 50-140mm lens size, you might be wondering whether it sits well on the XT-4 body. Well, we reviewed the XF 50-140mm on the XT-4’s body for three months on our photography projects and didn’t feel as if they were two separate objects. Both seemed well connected, and at times we forgot we had a large hood on top of the 50-140mm lens.
All in all, our experience was pleasant, and we didn’t encounter any size problems. The body perfectly balanced the lens’s weight. We added a stand underneath the lens when we wanted to take still shots.
Verdict: Your Best Fujifilm X-T4 Lenses
The purpose of this review is to help you make an informed purchase decision; that’s why we went into more in-depth details. If you lost track of the information above, here is a quick recap of the best Fujifilm X-T4 lenses.
It’s hard to find a replacement for this masterpiece with exceptional focus, build quality, and 4k video results. The Fujifilm 35mm f/2 Lens is our top choice for the XT-4 camera because of its excellent image quality and compact size. You can conveniently carry this lens in your jacket pocket and take some breath-taking street shots. However, it’s not the best lens for architecture or landscape photography.
Since Fuji lacked a professional grade lens in the 24-70mm equivalent choice, the Fujifilm 16-55mm f/2.8 became the hottest lens among professional photographers. With a weather-resistant body and the best mid zoom without distortion. We used this lens for our photography project and didn’t encounter any obstacles. The autofocus was smooth, sharp, accurate but not as fast as our top pick. Nevertheless, architectural photography was great with this lens mounted on the XT-4’s body.
If you want the best wide-angle zoom lens for your X-T4 camera, go with the Fujifilm 10-24mm f/4.
It’s a versatile lens mounted on several cameras, but when paired with the XT-4, it felt like they were meant for each other. Its focal length is equivalent to 15-36mm lenses. It has a complex structure of 14 elements with 10 in groups and 4 individuals for extra-low dispersion.
If you need the best Telephoto and near-perfect lens with ultra-silent autofocus with rapid reaction time, sharp images, get the Fujifilm 50-140mm f/2.8 Lens.
The only pitfall is its size, but when mounted on the XT-4, you won’t feel like carrying a large lens. It’s not for street photography because its build quality is designed to capture the landscape and other sceneries.
All the details mentioned about the lenses are taken from our personal experience. We tested each lens mentioned on our list using the XT-4’s body. Since we had to wrap a unique photography project, most lenses got used frequently. However, some lenses on this list were tested exclusively for the sake of the project.
The purpose of this review is to guide the reader into making an informed purchase decision. All the information we shared comes from our personal experience and online research. We also looked at several customer reviews to understand how other users felt using the 4 lenses mentioned above with the XT-4. We hope this information helps you find the best lens for your photography projects!